Nel blu dipinto di blu – Vernazza, Cinque Terre

View of VernazzaNel blu, dipinto di blu” – ‘In the blue, painted blue’  the famous song commonly known as ‘Volare‘ is what I find myself humming as I make my way down to Vernazza for probably the last swim of the season.

Colours have mellowed and the Cinque Terre has endless shades of blue to soak up as Summer comes to an Fishing with the kidsend. Still tourists around during the weekends while during the week numbers are slowly dwindling now as many have returned to work. The only positive aspect of the Covid pandemic has been the sustainable number of tourists, no cruise ships or daily bus tours, has made an enormous difference. The locals have been able to enjoy their villages, almost as there own. To see a Dad fishing with his kids along the walkway would not have been possible in other years. The main square has at times been quiet enough for the kids to kick a soccer ball about or late afternoon on the beach they have set up their goal post nests.

Vernazza

All in all it’s been a lay back season, not a good one economically for many, but a good ‘time out‘ for most. A welcome change for the tourists as well to feel the villages belong to locals, and they are just visiting.

No crowds or queues waiting for a ferry so the kids can jump off the quayside between  ferry arrivals.  View to Monterosso, Cinque Terre The allure of the blue draws me through the rocky archway to my favourite beach at Vernazza, where the waves tumble in, the sea is instantly deep and it’s away from the motorboats and ferry.Vernazza, Cinque Terre

The sea still reminds us of the dreadful flood of Oct 2011 by tossing up remnants of the Vernazza reminder of the 2011 flood141 cars and vans that were washed out to sea. Always a good ideas to wear protective shoes!

Yet the blue is impossible to resist and this season the water has been particularly limpid….even more sightings of dolphins than usual, not that I have been lucky to see any. Yachts lazily cruise past and I make the most of a gorgeous day at the Cinque Terre!

 

Volare, oh, oh  Cantare, oh, oh, oh, oh  Nel blu, dipinto di blu  Felice di stare lassù!’  (Fly, oh, oh, Sing, oh,oh,oh,oh, In the blue , painted blue, Happy to be up there!’

Ps For those Aussies still in lockdown, keep up the good work and you will soon be singing as well! Stay safe everyone.

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Florence frescoes in Brancacci chapel

Santa Maria del Carmine church, Florence church.While it’s still hot, the other best place to get cool is hiding in museums or churches, and Florence has no lack of either. A favourite and lesser known church, very unassuming with an unfinished facade is the Santa Maria del Carmine church.  It houses one of the most important frescoe cycles of the early Renaissance period in the Brancacci chapel. So called, as it was commissioned by Felice Brancacci, a wealthy Florentine Andrea Verga cultural mediator guidewool and silk merchant and politician, to illustrate the life of St Peter in honour of his grandfather Peter who had made the family’s fortune. Also in recognition that the  Great Western schism of the church had been resolved in 1417.

To get the best out of my visit. Andrea Verga, a young enthusiastic ‘cultural mediator’ employed by Muse was my delightful storyteller.

The frescoes make a fascinating story, and as appropriate in educating the population of today as they served to educate the population in the past. They illustrate the artistic developments of the three artists involved, and the political climate with portraits of friends and important statesmen featuring in episodes..

Miraculously the frescoes were spared by the great fire of 1771 that devastated the rest of the church, covering the frescoes with smoke. They were brush cleaned in 1904 but it was not until the late 1980’s that a thorough restoration returned the frescoes to their vivid colours.

Painted between 1424 and 1428 by  Masolino da Panicale and his young pupil Masaccio. Masaccio being considered the first great artist of the early Renaissance and associating with other such greats as Brunelleschi and Donatello. However, the frescoes remained unfinished due to his premature death at only 26 years in 1428, and were completed some 50 years later between 1481 and 1483 by Filippino Lippi.

The Original Sin by MasolinoFrom the fairytale figures af Adam and Eve in ‘The Original Sin‘ by Masolino to the more innovative style of Massaccio who uses light and shade to give more realism to the scene, and more consistency and solidity to the figures as in ‘The Tribute Money’.  Three scenes in one, where Christ shows St Peter  how to get coins from a fish to pay the city entrance tax as the Roman tax collector (in the short orange tunic in the foreground) demands, and St Peter, always in a yellow robe, pays (on the right).The Tribute Money by Masaccio

St Peter preaches and converts the thousands‘ by Masolino (on the upper left) to ‘The Baptism of the Neophytes‘ by Masaccio (on the right). Note the transparent water and the figure shivering as he waits his turn to be baptized. Below left ‘Healing the sick‘ by Masaccio where St Peter on passing has healed a lame man and another two wait to be healed.

Distribution of Alms and death of Ananias by Masaccio In the ‘Distribution of alms‘ my trusty guide Andrea,  tells us that Masaccio came from a very poor family and was easily able to portray the poverty of the time in the mother holding the child wearing a dress too small. It also highlighted the lesson to be learnt as the rich had been encouraged to share their wealth but Ananias had kept some of his share apart and St Peter knowing that he lied calls him out. Ananias fell dead at his feet from shame.

In the ‘Healing of the Cripple‘ and the ‘Raising of Tabitha‘ by both Masolino and Masaccio ( top frescoe below) we were to note the scene of everyday Florentine life in the background – washing hanging out, a monkey sneaking along the facade, a child tugging at his mother’s skirt. The two elegant figures in the centre, one dressed in wool and ermine fur trim, typical of the 13th century (on the right), the other in damask silk customary in the 14th century with velvet turbans indicating the fruitfulness of Oriental trade.Brancacci chapel frescoes

‘The Crucifixion of St Peter‘ and ‘St Peter and Simon Magus before Nero‘ were painted by Filippino Lippi. St Peter crucified upside down as a sign of humility to Christ, as in death we return to our birth position. In the archway staring at us is a portrait of Sandro Botticelli, Filippino’s friend and teacher, and probably a self portrait of Filippino St Peter Enthroned by Masacciowith the beret on the extreme right .behind the blue robe

We can see other famous portraits in ‘St Peter’s Enthronement‘ by Masaccio – in the right corner hardly visible is tiny Masolino beside a self portrait of Masaccio in red robe next to Brunelleschi with the black hat, and Leon Alberto Battista ( humanist and architect) in black robe.
St Peter Raising Theophilus from the dead by Masaccio and Filippino Lippi

The last curiosity I will share is the elaborate ‘photoshop’ that occurred in the scene ‘Raising of Theophilus Son from the Dead‘ Here Theophilus (in pink on elevated stage) is a portrait of Florence’s bitter enemy the Milan tyrant Visconti and in the crowd around the son the Brancacci family had been featured. However as the Brancacci family were exiled from Florence in 1436 for being anti Medici, Filippino Lippi had to redo the heads!

To think such a tiny chapel holds a wealth of information in these frescoes of which one could write about for pages; the political significance, the religious symbolism, the personal differences.  Funnily enough  Masolino and Masaccio are nicknames as they were both officially named Tommaso but nicknamed ‘little Tom’ for Masolino and ‘clumsy or messy Tom’ for Masaccio. I am forever enchanted by the ‘mess‘, particularly of a youngster only in his 20’s!


 

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