It seems appropriate to finish the year with a post on Leonardo Da Vinci since we have been commemorating 500th anniversary of his death with all sorts of events. Besides it’s fascinating to learn more about his genius as a Scientist, Botanist, Biologist and more; his holistic approach and prolific notes and designs crammed onto every page of the Codes.
This time the exhibition – The Botany of Leonardo focused on ‘the philosophical and technical content of the time in which Leonardo Da Vinci lived in order to explore his study of the forms and processes of the plant world in greater depth, through his outlook as a “systemic” thinker, highlighting the connections between art, science and nature’ ( Exhibition Notes).
I was fortunate to be taken through the exhibition with a guide who added a little more spice in the introduction to Leonardo sharing details essential to understanding his scribblings since he was left handed and wrote from right to left. At that time left handedness was considered the devil’s hand and children were punished severely. Leonardo instead had been rather pampered by his paternal grandfather who indulges his left handedness and encourages his studies with a private teacher so he never comes under the stricter teachings of the classics and humanities. As a child born out of wedlock, the freedom allowed in his grandfather’s care means he is spared from the dogmas of the time developing a ‘freethinking attitude full of experience and experiment that foreshadows the scientific methods developed more than a century later by Bacon and Galileo.’ (Walter Isaacson “Leonardo da Vinci”). Examples of Leonardo’s writing are only easily read in a mirror reflection.
The guide continued to emphasize Leonardo‘s respect of Nature as he experimented with alchemical processes, studying the cause and effect, and despising anyone who tried to replace Nature and break its laws, manipulating it for their own end. Two model furnaces were on display from St Mark’s Foundry similar to what Leonardo designed having recognized the power of fire in transforming materials, in particular metals.
The Refactory housed the main exhibits and we are welcomed immediately by a live plant wall with a projected ceiling decoration of Leonardo‘s from the Sforza
Castle in Milan where he had spent many years in the service of Ludovico il Moro. His codes cover extensive scientific studies on light, perspective, urban planning and architecture, engineering, mechanics, human and animal anatomy, an endless search to understand the complexities of his surroundings with an interdisciplinary perspective.
Observation on plants
He sees similarities between processes, structures and patterns e.g. his study of the human body and blood circulation is compared to the vital sap that nourishes trees, or tributary branches of a river.
Building on ancient Roman theories Leonardo discovered the principles of what we now call phyllotaxis – the set of rules governing the arrangement of leaves along a branch, explaining how this arrangement helps the plant to receive air, light and water. Used in green architecture today.
He understands that plants respond to environmental stimuli, growing towards the light and the extent to which they are effected by gravity. Plants on a slowly turning wheel had been planted at various angles and only those upright were doing well, and those upside down were in a very sorry state.
And of course Leonardo, the artist, wrote endless recipes on preparing pigments, dyes and oils from the plant world for paintings and drawings.
His meticulous studies being reproduced in his paintings and drawings of plants.
The exhibition was truly fascinating with so much more than can be described here. And catering to today’s world, ended with an invite to do a ‘Selfie‘ inside the ‘Vitruvian Tree’ one of Leonardo da Vinci‘s most famous drawings – ‘focusing on the measured relationships of the natural world, in search of the divine proportion between man and the living system’ ( exhibition notes). An invite to place ourselves within the regular forms of geometry and the equally perfect forms of Nature.
The man was a genius. His attention to detail is incredible, with such an advanced scientific approach that makes me think we are moving backwards while he was way ahead of us!