Since it is 500 years after the death of Leonardo Da Vinci, Italy is celebrating the anniversary with exhibitions, pageants, and local theatrical performances. The country is floooded with events and is encouraging all of us to explore new places and lesser known facts about Leonardo.
I had taken up the opportunity to combine my love of hiking on an easy trail between Anghiari and Sansepolcro to follow the itinerary of the Florentine soldiers in the crucial BattleofAnghiari of 29 June, 1440. The Battle, played out on the plain between the two towns, was to be colorfully recounted by various local actors along the trail. Unfortunately the performance was cancelled due to stormy weather predictions.
However curiosity had got the better of me and I drove to Anghiari early morning well before the storm and spent a very pleasant few hours exploring the nooks and crannies of this beautiful medieval village. Along the way to set the mood I stopped at Ponte Buriano bridge to contemplate the scene with Da Vinci, since it is this bridge which features in the background of the MonaLisa.
Da Vinci contemplating Ponte Buriano
Garibaldi welcomed me into the historical centre of Anghiari, a popular statue in towns all over Italy. Shortly after I was to cross the moat, or where it was once, through the drawbridge gateway that protected it from foreign invaders.
I had stepped back in time; winding alleyways, opened onto intimate piazzas, overlooked by medieval buildings now incorporated into Renaissance palaces. It was beautiful!
It’s that gorgeous time of year when Nature bursts back to life and everything begins to sprout, infinite green on greens as if every plant wants to show off its uniqueness. There is no chance of ever getting tired of the Tuscan landscape and traveling around in the past weeks has been a delight.
Even on just a short walk from home the surroundings are enticing as the vines begin a new season and the iris, the symbol of Florence since 1252, start popping up all over the place.
At San Polo in Chianti there is the Associazione Toscana Gaggiolo of over 200 farmers who continue the tradition of cultivation of the iris as its delicate essence, derived from the root, is used in the production of perfumes, creams and herbal medicines. In fact it was of great economic importance in Tuscany between the 1800’s and the last century, exporting the major part of the production to France.
photo credit Iris Garden association, Florence
While in Florence publicity is already up, reminding people to visit the Iris garden just below Piazzale Michelangelo “where you can admire over 1,500 varieties of iris from all over the world in full bloom.” Free entrance and opening for only a month from 25th April – 20th May.
Springtime is also another favorite time for me to visit the Hot Springs, for a relaxing day of total indulgence for body, mind and soul. Just driving through the rolling velvet hills of Southern Tuscany intermittently broken by the grey of ‘Le Crete’ clay pits is so pleasing to the eye. I must have seen it a thousand times, but every year it has the same uplifting effect. We are on our way to the San Giovanni Hot Springs in Rapolano Terme. It’s a glorious day of sunshine and going to be a pleasant 19 degrees and by the time we get there I am thinking I should have packed the sun cream!
Bathing in any of these Hot Spring establishments feels like living in the lap of luxury.
The Romans knew how to spoil themselves bathing in natural hot springs or their sophisticated bath houses progressing from the warm to hot, steamy room and cleansing off with a massage in the cool room. We like to keep that tradition going!
We pass through the relaxation area, specially signposted with no mobile phones allowed, thank goodness, and slip into the coolest pool. While being invitingly quiet we are soon dripping our way up the stairs to soak in the warm pool. Delicious squelchy white mud coats the bottom of the pool, the sulfurous sediments from the Natural Spring. As the blurb goes we are sitting in water “rich in sulphur and calcium bicarbonate…to combat ailments relating to muscular and skeletal system and respiratory disorders…in up to 39 degree water”. So you can see why we are here to soothe our muscles, wash away our aches and pains and simply relax. As the day is so warm the indoor ‘hot pool’ is less inviting and besides the surrounding landscape too good to miss!
Some time out on the lounge chairs and then as the sun starts to set we need to make a move for home. Reluctantly we drag ourselves out of the pool, comforted by the knowledge that we will be back again….and again!
So whatever you may be doing over Easter, I hope you all have fun and a relaxing time somewhere special. Buona Pasqua!
Painted on the wall built to separate Israelis and Palestinians in the West Bank
Banksy artworks exploded with abrasive truths in Florence’s elegant Medici Riccardi Palace, an early residence of the Medici family. Such a contrast to Banksy’s urban walls of London or crumbling war torn walls of Palestine and, as far as I know, we have no Banksy street art anywhere round town. The exhibition has been a great success and in fact extended its closure by a month so we were fortunately still in time to see it.
The story of this artist is unique, his identity still unknown, at best thought to be English, born around 1973 and still continuing to surprise, shock and delight audiences with his predominantly stencil style artwork.
I read of his early installations, that brought Banksy to world attention -like ‘Turf War’ 2003 which included pigs painted in police colours, sheep painted in concentration camp stripes and a cow covered in images of Andy Warhol’s face. It created something of a furore as ‘animal activists chained themselves to the entrance and just prior to the opening Banksy had left a message to say there were 40 lousy bottles of red wine available but it was best if spectators brought their own’!
At ‘Barely Legal’ in 2006 he stunned audiences with his live painted elephant blending into the décor. A statement on world poverty….although “the meaning of the stunt appeared to be lost on some observers.” (BBC news comment)
We bounced from slogan to slogan:
amidst satirical and brazen statements against authority :
Banksy’s monkey produced in 2002 ‘attests to the arrogance of humanity towards other species’ and dare I twist that to be a relevant statement on our world of today!
And take a closer look at what his ‘Grannies’ are knitting!
There were also some of his more dramatic pieces as potent in their message today as when they were originally painted.
Inspired by a famous photograph during the Vietnam war of the 9yr old girl burnt by American napalm bombs running from her village. Banksy is showing ‘the contrast between reality and perception, how the US perceives itself and how it is perceived by others.’
The elderly person unaware that death is so close in the form of a gigantic circular saw, is interpreted as Banksy’s unhappy childhood memories by the seaside or an invitation to make the most of every moment?
Other images less dramatic yet as powerful in their message and gathering some embarrassed laughs from the present audience. We were loving it and we had not come to the final shock…….
Sale ends today
Banksy’s most popular work ‘Girl with Balloon’ took pride of place, an image known to us all. Even recently it was used on a poster for Climate Change at last Fridays for Future march, the balloon substituted with mother earth. And I am sure Banksy would be supportive of the change.
But the final shock was still to come. We watched the video of ‘Girl with Balloon’ being auctioned at Sotheby’s for the grand price of £860,000 and were as staggered as those present to see it slowly shredded as soon as the Auctioneers hammer came down!
Banksy’s final word on capitalism? He is certainly determined to get his message across but the stunt seemingly backfired. The shredder got stuck and only half of the work was shredded and the Art world is now saying it is probably worth twice as much!?
His works are endless, stimulating, sensational and forever thought provoking, so if you would like to see more, check this video.
The sound of water flowing, amid digital images of Florence at the time of Leonard da Vinci welcome visitors into the stimulating exhibition of Da Vinci, The Scientist – ‘Water as Microscope of Nature’ The exhibition is a temporary one in the Uffizi Gallery till the end of January 2019, and one not to be missed.
The exhibition displays original pages of Da Vinci’s Codex Leicester written between 1504-1508 focusing on water – “investigating its elementary structure, vortex movements, and mechanical and optical properties, as well as the technical solutions for exploiting it to the benefit of humanity…….exploring the analogies between water and air, and between the movements of fish and birds.” (Info at Exhibition)
Pages from Codex Leicester
Scribbled in Da Vinci’s unmistakable left handed scrawl from right to left, that exudes an intensity of concentration and precision. Meticulous designs of water flows, rock stratifications, light reflections, birds in flight and more. Precise drawings of machines – an odometer to measure distance, a centrifugal pump for draining marshes, underwater foundations for bridges and weirs, solutions to regulate the quantity and velocity of water drawn from siphons, riverside constructions to combat erosion….the list was endless and fascinating.
Da Vinci’s Odometer
‘He takes the human body as the model for elucidation of the physiology and dynamics of the Earth…. he speculates on the dynamic balance of the earth’s gravity….and offers practical advice to seamen from his understanding of hydrodynamics’
The digital presentations of his various machinery are mesmerising in their originality and creativity, providing us with the basis of many modern machines. He was interested in, and obsessively drew, the bit by bit analysis of every moving part in the machine and its contribution to the transfer of motion. The man was a true genius!
His theatrical mechanisms for court pageants, ‘allowing actors to rise and descend and float as if they were flying’ (Walter Isaacson) and from his studies of physics he truly believed that it was possible to build a winged mechanism that would allow humans to fly.
He was known to always carry notebooks which hung from his belt, constantly collecting ideas and scribbling observations of his surroundings from a technical, scientific and artistic point of view. His notes were transferred to the various manuscripts – Codex – of which more than 7200 pages exist today, considered to be only one-quarter of what Leonardo actually wrote, and which he had intended to publishing. “The most astonishing testament to the powers of human observation and imagination ever set down on paper” (Toby Lester “Da Vinci’s Ghost”)
His paintings elicit his geological theories on rock stratification as seen in the background of the Mona Lisa, and his studies of the impact of solar rays on the tint of the sky or secondary light he uses on the cheeks of Ginevra de Benci and The Virgin.
Leonardo was known to be slow and methodical in his artistic life, leaving many works of art, as well as machines and instruments unfinished or never started beyond a few draft etchings in his notebooks. After all, he took 16 years to finish the Mona Lisa, carrying it with him on his travels outside of Florence and Italy, constantly adding finishing touches!
Uffizi proudly displays another masterpiece, his unfinished, ‘Adoration of the Magi’ 1481-1482
Having just finished reading Walter Isaccson‘s biography on “Leonardo Da Vinci” the exhibition was in perfect timing to explore more and see the real documents of the Codex Leicester. An exhilarating experience and a super presentation of the Scientific mind and genius of Leonardo da Vinci.
It’s one of my favourite times of year – picking olives and more importantly savouring the new extra virgin olive oil. A time to catch up with old friends and share our aches and pains as the days pass and the garage fills with crates of olives.
Besides I am lucky enough to be picking olives in Pienza in Val d’Orcia which in any season boasts fabulous views, rolling hills and cypress lanes, and towers guarding valleys filled with fluffy clouds and evocative morning mist.
View to Pienza in morning mist
Staying with my artist friend – Enrico Paolucci, is always a pleasure and despite his father’s passing in 2013, Aleardo’s presence is still strong. From the muraled garage wall denoting country life, and the house filled with Aleardo’s works of art, to Isabella’s fond memories recounted as we pick olives together.
We have been lucky with the weather, unlike some areas in Italy still battling flood levels and muddy landslides. A few brief showers gave us reprieve over lunchtime and the light breeze dried the trees and olives quickly so we could continue the picking.
An ingenious local, Giuliano, developed a home made version of ‘leaf and olive separator’ (seen in action here), in recycled material, even including the fan. A true Maker! Since we are not all hand picking, the battery powered raking system pulls more leaves and twigs with olives still attached and the less leaves in the pressing the better. The Olive mill also has their own similar separator system but in the meantime we are doing our best to send them to the mill in the best condition possible.
Blessed with some sunshine, and spreading even larger olive nets under the trees meant we were soon down to T shirts only…..and my beloved overalls! The garage quickly filled with crates of Olives ready for the Mill – Frantoio Simonelli Santi in the nearby town of San Quirico d’Orcia.
Frantoio – Olive Mill
Weighing our olives
Leaf and olive separator
Surprisingly the mill is in the historic centre of the town using the traditional method of pressing – stone grinders pressing olives, pips and all, automated machines spreading the olive paste on mats, mats stacked into the presser which is raised, pressing out the liquid – oil and water and finally the centrifuge to separate the water from liquid gold extra virgin olive oil. Strictly cold press and bio!
Olive Oil press and final Extra virgin Olive Oil
The air is filled with a buzz of the various rake and shake systems as batteries power along until sunset, and our backs say they need a rest. Gloves are worn thin between the thumb and forefinger as we strip the branches of their produce.
In a week we picked 761 kilos of olives and came home from the Olive Mill with 125 litres of fabulous liquid gold. What could be more satisfying!
On a visit to the Uffizi Gallery in Florence, my first in some years and to be one of many during the course, I took time out to visit the temporary Exhibition – Islam and Florence and bumped into my first giraffe – stuffed!
As I was about to take a photo, the staff leapt on me to say “No photos allowed” but to not leave you disappointed ‘this official video’has captured the giraffe together with many of the fabulous objects on display.
‘The Mamluk Sultan of Egypt, probably not unaware that a “camelopard” had taken part in Julius Caesar’s triumph in Rome, sent a giraffe as a gift to Lorenzo the Magnificent, which made a spectacular entry into Piazza della Signoria on 18 November 1487. The exotic beast is reported to have been so greatly admired and to have caused such a sensation that even the cloistered nuns were eager to see it. As portrayed in the affresco of Giorgio Vasari in palazzo Vecchio. Unfortunately the giraffe did not last long, breaking its neck in an accident in the stable specially built for it on 2 January, the following year. The second giraffe, also stuffed, came as a gift from Egypt in 1835, to Leopoldo II and lived in the Boboli gardens for about a year and a half.’ (Uffizi brochure). The photo above of the affresco shows a mixed reaction amongst the locals and one can only imagine their astonishment at seeing a giraffe in the piazza…..even today! The giraffes sadly came to a sorry end.
A drawing of Lorenzo’s giraffe – a watercolour of a Barbary Moor with a giraffe
Various generations of Medici‘s, from Lorenzo the Magnificent to the Grand Duke Cosimo I were known to be lovers of the exotic and major collectors of precious items from the Orient together with other private collectors and antiquarians. The exhibition was split between the Uffizi Gallery and the Bargellomuseum with a stunning range of exquisite carpets, gilded containers, magnificent jewelled ornaments and arms and delicately carved ivory chests. All beautifully displayed before a background of a thousand and one Oriental stars under soft lighting. ( This photo taken from the brochure does not do them justice).
In amongst the exhibits were also some paintings, indicating how much this exchange of culture influenced artists at the time. A period when Florence was powerful; economically, politically and culturally. A city of rich bankers and merchants ‘wheeling and dealing’ with the world and wanting to boast about their wealth and perhaps, book a place in paradise by commissioning works of art like this one.
Palla Strozzi, the richest banker of Florence commissioned Gentile da Fabriano to do ‘The Adoration of the Magi’ (1423) a theme often repeated, as many, including the Medici, identified themselves as ‘the Magi‘ of the time! Heavily dosed with gold and sumptuous costumes in a luxurious ambience with some cheeky non religious details – the page kneeling to remove the spurs, monkeys playing and Palla Strozzi and his father prominently featured in the red hat and with a falcon!
To show the Islamic influence you need to zoom in on the aureole to see Arabic scripts embossed in the gold.
In class we were told that the Roman elite delighted in eating exotic animals at their banquets, giraffes and zebras included….Possibly even the one in Julius Cesare’s triumphal return?
The ‘Adoration of the Magi’ by Domenico Ghirlandaio (right 1482-90)) and ‘Procession of Three Kings‘ by Andrea del Sarto (left 1510-11) show in the background, yet another giraffe as part of the procession. The fascination with these leopard style camels continues….!
As seen in the video, the exhibition had an eclectic mix, making a fascinating tour of past splendours and confirmation of the appreciation, consideration and integration of Islamic culture.
And to keep the kids interested the Uffizi provide a quiz and games of which I have stolen just a couple of examples which I thought you might like to try: Fit the colour to the country and …….how could I go past this join the dots!
The grape harvest is well over now as are the Wine Festivals in Italy for 2018, yet they are not solely an excuse to party:
The Cinque Terre can be proud as at each village festival the donations gathered raised enough money to buy a new ambulance, 4 x 4 wheel drive, BUT ….not for the Cinque Terre. In January 2019 it will be sent to a remote town of Senegal!
Tourists contributed enormously, maybe not fully understanding where the donation was going, but reassured by the sincere smiling faces. After all, with only a total population of 4500 residents in the Cinque Terre it would have been difficult to raise all the money from residents alone. Besides what a festival in Manarola! Glamorous mermaids and pirates came from the depths of the Mediterranean to join farmers with their ‘lively’ grapes and vines, parading together amidst lots of fun and laughter. Wine flowed as the band played and locals danced and sang all the way to the Church for the blessing, such a fruitful day.
Baby mermaids and baby vines
Volunteers from the “Just for a Smile” Association, who regularly serve on the local ambulance service, worked hard encouraging everyone to donate, no matter how small. They made good use of the party atmosphere and the tourist crowds explaining in their best ‘Italish’ the reason for the funds as well as their fundamental role in providing an emergency health service to both residents and tourists.
So when the final tally of donations is done, the “Gocce di Sorriso” Association hopes to also have enough to fill the ambulance with essential medicines, gauze dressings and disinfectant creams.The ambulance will be loaded onto a container in Genoa provided, almost free of charge, by the shipowner Messina, and sent to Senegal. A great show of solidarity and humanity by all.
Photo credits: Movimento Cinque Terre
While in Florence we were treated to the presence of the ‘Carro Matto’ – crazy cart from Rufina. A traditionthat goes back to the time of the Florentine Republic in the XII century when a huge pyramid was built on September 29th for the new wine. After receiving the blessing from the church the wine was brought to Palazzo Vecchio where the authority of the time toasted to the governors of the time – the Priori – and to the health of the Florentine people.
A crazy cart – carro matto loaded with 2000 fragile flasks of Chianti, masterly loaded and well strapped, pulled by oxen, and in this day and age aided by a truck! An unbelievable spectacle of balance and precision accompanied by an historic procession in the city.
Nothing like wine to bring out the best in us, Cin Cin!
Florence council has issued new legislation to deal with the ‘continuingdegradation‘ of the city from mass tourism. Action has been taken and, in particular, aimed at the top rated snack bar ‘All’Antico Vinaio‘ in Via dei Neri just behind the Uffizi Gallery. Over the past 5 years it has seen a boom in trade, largely produced via social networks. It rates so highly on TripAdvisor that tourists queue for up to an hour for the scrumptious ‘schiacciata’ (Florentine salted and oiled flat bread) filled with delicious local produce of salami, prosciutto, vegetable and cheese assortments.
But having finally acquired the sandwich, tourists line the entire street sitting on the footpath. All’Antico Vinaio has 2 snack bars and 1 restaurant enjoying a roaring trade, while the remaining shops that line the street are suffering as food scraps lie about, pigeons swoop in, tourists visually block their passing trade, turning the street into a pretty disgusting site most of the day. So it’s now standing room only! Council police are on patrol for a few hours each day and evening but I think it will be a lost battle. The retailers in via dei Neri were already paying for 4 vigilante to dissuade tourists from sitting along the street but it had proved largely ineffectual.
Antico Vinaio has now placed staff outside to advise clients where they may find a public bench to sit on to avoid the €500 fine, although they are relatively sparse. As my hairdresser is in the same street I did a quick reconnaissance of the area and found a lot of tourists sitting now on the steps in front of the Old Courthouse or uncomfortably standing in a grotty side street. A pity since there are loads of places to eat sandwiches in Florence but obviously not with such a high profile that social networks have created of All’Antico Vinaio.
Previously the same Florentine Mayor, Dario Nardella, had introduced washing the steps of the churches at lunchtime to dissuade tourists from lunching at the church and to restore some sort of ‘decorum’. As the temperatures rose in the Summer the steps soon dried out and the tourists returned! No more Street food licenses are being issued in the city and none can be revoked, so the problem will continue.
The solution? Who knows? It is something of a clash of cultures as well, since Italians don’t usually eat on the street, even in a hurry they sit on a stool at the tripe stand (when tourists haven’t beaten them to it!) or stand inside their lunchtime bar/cafe. Social networks have created a totally new phenomenon and the obligatory ‘selfie’ of lunch or dinner.
The mass tourism of today is difficult to manage, not just in Florence. Cinque Terre, Venice and other major cities are overwhelmed and all struggling to find solutions. I fear many tourists have now gone ‘feral’, treating Italy like a Disneyland, behaving in a way they would probably never do at home….or maybe they do!
We have had monuments and statues damaged, fountains being used for a cool dip, and recently a tourist leapt from the vaporetta in Venice into the Grand Canal as she had no ticket when Inspectors got on board! In the Cinque Terre tourists
treated olive tree nets used for picking as hammocks, unfortunately tearing the nets as they are not meant for 80 kilo bodies! Climbing in the same fragile territory has often caused rock slides and/or injuries to the same to be saved by a voluntary health service and sometimes employing helicopter rescue services at Italian expense.
I suspect many tourists are oblivious to the damage they cause, and Italy incapable of visualizing and implementing measures for sustainable tourism.
So be warned and avoid the fine as the Council Police are out on patrol now so it’s standing roomonly! And while I can highly recommend the schiacciata sandwiches from All’Antica Vinaio I don’t think any meal deserves to be queued for….
It’s time to get badged again! After much thought and procrastination I have decided at this ripe (old) age to get another badge as an Italian historian tourist guide. Which means a year course and lots of art history studies, starting next week. So blog posts may become erratic or worse still I may take you all along with my studies, bit by bit, to the most beautiful monuments and art of Florence!
You may well ask, do you need a badge, or more appropriately, do you need a license? In fact it’s true and any time you have had an art historian guide in a city like Florence you may have noticed their badge dangling conspicuously around their necks. For those who have travelled on tour with me may remember my badge, but if you looked closely it was a Tourist Escort (Accompagnatrice Turistica) badge easily gained for anyone who has an Arts/ Humanities degree (like me) and for those that don’t attendance on the Tourist Escort course.
In classic Italian style, loads of jobs require a license and justifiably so, to show you have a minimum of skill and expertise in the area. Although I always felt my Social work background was a bonus in being a good ‘Mother Hen’ of my delightful ‘chics’
A Tourist guide is usually quite jealous of their license and ever on the look out to defend their status against unlicensed intruders or even against Tour Escorts.
I have vivid memories of a Tourist guide in Padua shouting at me for being a ‘guide’ and threatening police intervention when she saw me with my group. All of which could have meant a hefty fine if I was ‘guiding‘ but then I was just doing my usual Tourist Escort job – pointing out the toilets and where we would meet again after the group’s free time. So no risk of any fine but she was adamant, as well as very flashy, parading around with an enormous flower as her guide banner. An unpleasant incident which ended in a shouting match.
The badgering did not impress my group who were so protective that they made me a ‘new badge’ and at the end of the tour gave me this beautiful whirly whirly to use in future! Wow, what a lovely group that was!
My whirly whirly unfortunately has never left the house as I know how much groups, especially Aussies, hate to be herded, and I forever tried to be discreet when we were out and about. At best…or worst I made do with one of my colorful umbrellas that I have not lost and continue to use.
Still the gift was much appreciated as was their ‘official tourist guide’ badge which sticks in my cork board, yellowing a little with age now.
I will be honest and say I am not sure if I am going to get this badge, but I will be giving it my best shot and have already been doing preliminary studies. Naturally it’s going to be all in Italian so after 30+ years here, it will be good to brush up on my Italian and boost my vocabulary!
Tourist guides have always fascinated me, they are true story tellers, making ancient monuments come alive, bringing the past into our laps.Such an art in story telling and not something that everyone can do. Many of my Tourist guides (chosen personally) have kept my groups spellbound and entertained without being overwhelming.
And when on holidays I always use a local tourist guide – from Darwin to Cuba to Matera, my last experience! At the same time I never regret my Tourist Escort time as that really is another job altogether, which Tourist guides experience rarely. Spending days and weeks together with people is another art in itself and keeping that large family happy not always an easy task.
So wish me luck…and I will keep you posted on my progress!
This year’s exhibition at Forte Belvedere is Gong – “It is an almost shamanic exercise, aimed at exploring the sublime of the cosmos, the orbits of the planets and stars, the rhythms and geometries that belong to the infinite universe, so as to draw stellar maps that today, just like millions of years ago, also function in symbolic, ritualistic terms.” byArtistEliseo Mattiacci
Unfortunately the guardian of this enormous Gong did not allow the public to go wild and give it a good bash. It was definitely the best exhibit!
An unusual presentation of grand metal structures, which did not enthuse me as much as other exhibitions I had seen and posted about in years gone by. But then it’s always a good excuse to revisit one of the most peaceful and panoramic places of Florence during the Summer period of tourist crowds.
We waited for Aliens to land in the middle of ‘Cosmic Order‘….alas in vain, and then headed inside the Fortress to relax in the shade.
We were in for a treat later at sunset with a wine tasting from one of the historic vineyards of Tuscany – Frescobaldi. To be followed by an itinerant theatre performance from “LaCompagnia delle Seggiole” who regularly perform at historic sites, bringing to life tales of the place and characters that were part of its history. And what better time to see the Fortress, as the sun’s rays bathe Florence and fade into the city’s night lights.
Forte Belvedere is the second and largest fortress to be built in Florence in1590 – 1595, by order of Grand Duke Ferdinando I de’ Medici.
Fortifications were significant in the 16th century and at that period in Florence a demonstration of the Medici’s power and wealth. Its location is strategic as it overlooks almost the entire city and surrounding area. In addition to this, the fort served as a garrison for troops for over 100 years after its completion.
Our theatre performers are part of that garrison, ‘a garrison that awaits the enemies, the siege, the never ending wait, the miraculous hour that at least once touches everyone’.
Since the enemies do not arrive, and life passes inexorable, the garrison addresses us with what it sees every day, what is understood of that place and the city seen from up there’ A humorous mix of daily issues that confront the soldiers and demands of the Medici family to ensure their personal protection and the defence of their city.
Photo credits La Compagnia delle Seggiole
An entertaining insight into the characters that lived and defended our beautiful city of Florence from these ancient walls.